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Radio Plays | by Karen Sunde May 20, 2012 | 25708 words | Read a sample |
| Author bio: An actor turned writer, Karen performed many leading roles Off-Broadway, and was Associate Director of CSC Repertory. Her plays have been performed Off-Broadway, in regional theatres, on a USA tour, and in eleven countries and seven languages. Sunde’s first screenplay, UNDERCOVER PATRIOT, a finalist at Sundance, optioned. Then PARALLEL LOVES for Terra Bella Entertainment, Los Angeles; BOULE DE SUIF (adapt Maupassant) for Dace Direction, London; DREAM HOUSE for Passport Films, NYC; THE FASTEST WOMAN ALIVE for Howard S Shulman Productions, NYC; THE SECRET SHIP, under option; FINAL QUEST: THE MOUNTAIN OF THE GODS; TRIPPING TAMMY; LOVE HITS EARTH(& Other Disasters); NEXT!; adaptations of HOW HIS BRIDE CAME TO ABRAHAM, in pre-production as The ABRAHAM FILM PROJECT, and IN A KINGDOM BY THE SEA. check www.howardshulman.com Published plays: DARK LADY, produced Abbey Theatre, Ireland, Aalborg State Theatre, Denmark, optioned for film; BALLOON, won three VILLAGER awards Off-Broadway, nominated Best Play by Outer Critics Circle, aired Radio France; HAITI: A DREAM in FACING FORWARD, produced Seven Stages, Atlanta, aired WNYC, WHYY, NPR; TO MOSCOW, premiered Ankara National Theatre, Turkey, Chain Lightning, New York; OH WILD WEST WIND in ROWING TO AMERICA, produced Playwrights Theatre of New Jersey (PTNJ). PLAYS BY KAREN SUNDE includes TRUTH TAKES A HOLIDAY, read La MaMa, New York City (NYC); IN A KINGDOM BY THE SEA produced PTNJ, HOW HIS BRIDE CAME TO ABRAHAM, produced PTNJ, Praxis Theatre Project, NYC, premiered at The Unicorn, Kansas City. ANTON, HIMSELF for Actors Theatre of Louisville, also played The Moscow Art Theatre, the Yalta Festival in Russia, Peoples Light and Theatre, NYU in New York. THE FASTEST WOMAN ALIVE produced Luna Stage, NJ, Praxis, NYC, Edinburgh Festival (2010); KABUKI OTHELLO, produced People's Light and Theatre Company and Annenberg Center, Philadelphia; Wisdom Bridge, Chicago; KABUKI LADY MACBETH produced Chicago Shakespeare Theater, cited for five JEFF Awards, including "Best New Work," Best Production," "Best Direction:" IN A KINGDOM BY THE SEA, 2009. Scenes from TO MOSCOW; ANTON, HIMSELF; MASHA, TOO; and ABRAHAM appear in SCENES & MONOLOGS FROM THE BEST NEW PLAYS. Among 23 plays--for Actors Theatre of Louisville; People's Light and Theatre; The Acting Company, NYC, Sunde wrote KABUKI MACBETH, KABUKI KING RICHARD and ACHILLES, which toured Hungary, Cyprus, and Japan. She co-wrote musical QUASIMODO,(a musical) premiered Byrdcliffe Festival, Woodstock, NY, produced Lahti City Theatre, Finland. For Cheltenham Center, Philadelphia, she wrote LA PUCELLE (ME & JOAN) and DADDY'S GONE A-HUNTING (TRACKING BLOOD WHITE). In NYC: for Chain Lightning, WHEN REAL LIFE BEGINS, for The Working Theatre, 2020 SEXCARE in FREE MARKET; for Tisch School, NYU, Table and Chair Handmade Theatre, PLEASE GOD, NO WEDDING OR SHOOTING AT THE END! Opera THE SPA with composer Michael Dilthey. also at http://www.dramaticpublishing.com Sunde’s won a McKnight Fellowship, an NDEA Fellowship, the Aide de la Creation award in France, the Bob Hope Award, lives in New York City, served on the theatre panel of New Jersey Council on the Arts, and the new plays panel of the Pennsylvania Council on the Arts, was La MaMa ETC (New York)'s nominee for the Laura Pels/​PEN award. |
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A Look Back At The History Of Baseball America Favourite Pastime | by cheap seat May 18, 2012 | 462 words | Read a sample |
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Shakespeare's Hamlet in Plain English | by C.J. B. May 09, 2012 | 37597 words | Read a sample |
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The Long Dark | by Spring Horton May 07, 2012 | 13762 words | Read a sample |
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An Absence of Light | by William Andrews April 29, 2012 | 4433 words | Read a sample |
| Author bio: William Andrews is a graduate in English and Criminology from the University of Melbourne, Australia. He has a keen interest in anything well written from any genre, but has a preference for "dark" things, hence the name of his website, Facebook and Twitter pages and FREE Smashwords short story anthology, DARK CORNERS. The sequel to the scary-as-Hell psycho-thriller, FRIEND REQUEST, is coming soon. Watch this space... |
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The Unentitled | by Pete Stephenson April 28, 2012 | 5299 words | Read a sample |
| Author bio: Writer and musician, composer, lyricist and arranger. Based in Kent. |
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What Are You Waiting For? | by Pete Stephenson April 24, 2012 | 4986 words | Read a sample |
| Author bio: Writer and musician, composer, lyricist and arranger. Based in Kent. |
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Colin's Monologue | by Pete Stephenson April 24, 2012 | 1694 words | Read a sample |
| Author bio: Writer and musician, composer, lyricist and arranger. Based in Kent. |
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Three 10-Minute Plays | by Pete Stephenson April 23, 2012 | 3767 words | Read a sample |
| Author bio: Writer and musician, composer, lyricist and arranger. Based in Kent. |
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Born to Take my Place | by Shell Isenhoff April 16, 2012 | 2082 words | Read a sample |
| Author bio: I write mainstream novels for kids under my full name, Michelle Isenhoff. In my novels, you can expect ADVENTURE and SUBSTANCE, but I'll always respect the INNOCENCE of our children. My novels are not religious in nature. To keep my work in separate genres, I chose to publish my Christian fiction under my nickname, Shell Isenhoff. |
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The JUNZI | by Pen Avram April 01, 2012 | 8714 words | Read a sample |
| Author bio: This one-time piano tuner turned conductor fled to the West from the former Soviet bloc, finally finding a new home in Australia. Growing up in a family touched by the horrors of the holocaust and communism, Pen Avram has spent his life studying what drives people of different faiths around the world to act the way they do. His insights now inform the mysteries investigated by the intrepid team of Hendrych and Kroupa. |
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A Soldier's Christmas | by Shell Isenhoff March 30, 2012 | 2585 words | Read a sample |
| Author bio: I write mainstream novels for kids under my full name, Michelle Isenhoff. In my novels, you can expect ADVENTURE and SUBSTANCE, but I'll always respect the INNOCENCE of our children. My novels are not religious in nature. To keep my work in separate genres, I chose to publish my Christian fiction under my nickname, Shell Isenhoff. |
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Motel-Cell (a one-act play) | by Hanuman Moon March 28, 2012 | 11322 words | Read a sample |
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Shattered Hearts Glass (a Play) | by Hanuman Moon March 28, 2012 | 12666 words | Read a sample |
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The American Way... or ... The Requiem of Enlightenment ( A One-Act Play ) | by Hanuman Moon March 28, 2012 | 7027 words | Read a sample |
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King Ubu | by Patrick Whittaker March 22, 2012 | 13248 words | Read a sample |
| Author bio: Patrick Whittaker is winner of the British Fantasy Society's Short Story Competition 2009. He has directed a number of short films, several of which have garnered awards for him. He currently resides in Blackpool, England where he works as a government phone monkey. |
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Prasadika | by Amal Chandrasena March 15, 2012 | 14 words | Read a sample |
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Eyewitness Christmas | by Shell Isenhoff March 05, 2012 | 2622 words | Read a sample |
| Author bio: I write mainstream novels for kids under my full name, Michelle Isenhoff. In my novels, you can expect ADVENTURE and SUBSTANCE, but I'll always respect the INNOCENCE of our children. My novels are not religious in nature. To keep my work in separate genres, I chose to publish my Christian fiction under my nickname, Shell Isenhoff. |
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Breve Storia della Letteratura Erotica Antica e Medioevale | by Amodio Tortora Feb. 21, 2012 | 17639 words | Read a sample |
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Dog Eared | by robert renshaw Feb. 17, 2012 | 1781 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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Kabuki-West | by Karen Sunde Feb. 15, 2012 | 24973 words | Read a sample |
| Author bio: An actor turned writer, Karen performed many leading roles Off-Broadway, and was Associate Director of CSC Repertory. Her plays have been performed Off-Broadway, in regional theatres, on a USA tour, and in eleven countries and seven languages. Sunde’s first screenplay, UNDERCOVER PATRIOT, a finalist at Sundance, optioned. Then PARALLEL LOVES for Terra Bella Entertainment, Los Angeles; BOULE DE SUIF (adapt Maupassant) for Dace Direction, London; DREAM HOUSE for Passport Films, NYC; THE FASTEST WOMAN ALIVE for Howard S Shulman Productions, NYC; THE SECRET SHIP, under option; FINAL QUEST: THE MOUNTAIN OF THE GODS; TRIPPING TAMMY; LOVE HITS EARTH(& Other Disasters); NEXT!; adaptations of HOW HIS BRIDE CAME TO ABRAHAM, in pre-production as The ABRAHAM FILM PROJECT, and IN A KINGDOM BY THE SEA. check www.howardshulman.com Published plays: DARK LADY, produced Abbey Theatre, Ireland, Aalborg State Theatre, Denmark, optioned for film; BALLOON, won three VILLAGER awards Off-Broadway, nominated Best Play by Outer Critics Circle, aired Radio France; HAITI: A DREAM in FACING FORWARD, produced Seven Stages, Atlanta, aired WNYC, WHYY, NPR; TO MOSCOW, premiered Ankara National Theatre, Turkey, Chain Lightning, New York; OH WILD WEST WIND in ROWING TO AMERICA, produced Playwrights Theatre of New Jersey (PTNJ). PLAYS BY KAREN SUNDE includes TRUTH TAKES A HOLIDAY, read La MaMa, New York City (NYC); IN A KINGDOM BY THE SEA produced PTNJ, HOW HIS BRIDE CAME TO ABRAHAM, produced PTNJ, Praxis Theatre Project, NYC, premiered at The Unicorn, Kansas City. ANTON, HIMSELF for Actors Theatre of Louisville, also played The Moscow Art Theatre, the Yalta Festival in Russia, Peoples Light and Theatre, NYU in New York. THE FASTEST WOMAN ALIVE produced Luna Stage, NJ, Praxis, NYC, Edinburgh Festival (2010); KABUKI OTHELLO, produced People's Light and Theatre Company and Annenberg Center, Philadelphia; Wisdom Bridge, Chicago; KABUKI LADY MACBETH produced Chicago Shakespeare Theater, cited for five JEFF Awards, including "Best New Work," Best Production," "Best Direction:" IN A KINGDOM BY THE SEA, 2009. Scenes from TO MOSCOW; ANTON, HIMSELF; MASHA, TOO; and ABRAHAM appear in SCENES & MONOLOGS FROM THE BEST NEW PLAYS. Among 23 plays--for Actors Theatre of Louisville; People's Light and Theatre; The Acting Company, NYC, Sunde wrote KABUKI MACBETH, KABUKI KING RICHARD and ACHILLES, which toured Hungary, Cyprus, and Japan. She co-wrote musical QUASIMODO,(a musical) premiered Byrdcliffe Festival, Woodstock, NY, produced Lahti City Theatre, Finland. For Cheltenham Center, Philadelphia, she wrote LA PUCELLE (ME & JOAN) and DADDY'S GONE A-HUNTING (TRACKING BLOOD WHITE). In NYC: for Chain Lightning, WHEN REAL LIFE BEGINS, for The Working Theatre, 2020 SEXCARE in FREE MARKET; for Tisch School, NYU, Table and Chair Handmade Theatre, PLEASE GOD, NO WEDDING OR SHOOTING AT THE END! Opera THE SPA with composer Michael Dilthey. also at http://www.dramaticpublishing.com Sunde’s won a McKnight Fellowship, an NDEA Fellowship, the Aide de la Creation award in France, the Bob Hope Award, lives in New York City, served on the theatre panel of New Jersey Council on the Arts, and the new plays panel of the Pennsylvania Council on the Arts, was La MaMa ETC (New York)'s nominee for the Laura Pels/​PEN award. |
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School For Fought | by robert renshaw Feb. 13, 2012 | 1820 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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Robin Test | by Robin Dennis Feb. 11, 2012 | 51841 words | Read a sample |
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Paws for Reflection | by robert renshaw Feb. 10, 2012 | 1402 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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Five Stars Ten Bars | by robert renshaw Feb. 01, 2012 | 1739 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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Mr and mrs Peters | by robert renshaw Feb. 01, 2012 | 1593 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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Crest of Life | by robert renshaw Jan. 30, 2012 | 1043 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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The Ostraka Plays - Volume Two - ITHAKA | by Francis Hagan Jan. 21, 2012 | 2108 words | Read a sample |
| Author bio: I have been writing on and off since I was a shy lad hiding under the bed and scribbling in an out of date diary (I think it was about my space travels). Most of my works have been either plays populated with grotesques who stumble around ruins and those odd places we forget about or epic tales of those last Roman legionaries as they falter and fall at the end of Empire. Over the last three years, I have embarked on a series of plays which I have entitled 'The Ostraka Plays' and in which I am exploring that space where the irrational and the seductive collide. I remain fascinated by a poetics which allows an imagination to populate a forgotten nook in history outside our conventions and expectations. In these plays, the audience is invited into worlds which remain provisional and insecure - and where freedom is that release from convention. The other side of my writings could not be more opposite - in these stories, the dying light of Rome flutters one last desperate time as I seek to follow the last of the Eagles down into their fates. Here, archaeological record, literary fragments, and my own invention intertwine to set a stage ripe for heroics and betrayal. |
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Past Not Presented | by robert renshaw March 19, 2011 | 684 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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Baking Day. Eternal love of a mother . | by robert renshaw Dec. 30, 2010 | 2350 words | Read a sample |
| Author bio: Tall Fit Aussie, enjoys the good life and a good laugh. Discovered writing at an early age and enjoy the world it creates within me.Surrounded by lifes adventures,I have chosen a path that provides the most diverse and not always pleasant endings. My books are free to read, and please contact me anytime to discuss them. |
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